On a video call your eyes have two places to be, and they cannot be in both. The little camera lens is where eye contact lives, and the faces you actually want to look at sit a few inches below it on your screen. Every call becomes a quiet negotiation between those two spots, and knowing how to handle it changes how present you seem.
The camera or the faces
Your instinct is to look at the person you are talking to, which means looking at their face on your screen. The trouble is that the camera sits above the screen, so while you are looking at their eyes you are actually looking a little below your own lens. To them it reads as though your gaze is dropped and pointed slightly away. Look straight into the lens instead and you give them clean eye contact, but now you cannot see their face or their reactions. Each option costs you something, which is why it feels awkward. No setting removes the tension, so the goal is a way of working with it.
What the other side actually sees
Here is the mechanic that makes sense of the whole thing. When you look into the lens, everyone on the call feels looked at, because the camera sends your gaze straight out toward them. When you look at their face on the screen, your eyes read as pointed slightly down, which comes across as looking away or glancing at your notes. The gap between the lens and the face on your screen is small on a laptop and larger on a big monitor, and the bigger the gap, the more looking at the screen reads as looking away. So the camera is your eye contact, and the screen is where you gather everything else, their expressions, their nods, the room.
A rule that actually works
You cannot stare into the lens for a whole call, and you should not try, because a fixed stare into a camera looks stranger than a natural glance. The rule that holds up is simple. Look into the lens when you speak, especially on your opening and your key points, so your own words land with eye contact. Look at their faces when you listen, so you can read them and they can see you paying attention. Speaking is when your gaze matters most to them, and listening is when their reactions matter most to you, so this split gives each moment the thing it needs. It is one of the quiet habits behind looking confident on video calls.
Shrink the gap with your setup
You can make the whole problem smaller by moving things closer together. Drag the window of whoever is speaking up to the top of your screen, right under the camera, so your natural gaze at their face already sits close to the lens. Raise your camera to eye level too, so you are looking straight ahead rather than down at it. On a laptop, a stand or a stack of books does the job. The camera check shows you live how your framing and eyeline actually read, so you can set it before a call rather than guessing mid-conversation.
Do not overthink it mid-call
Once your setup is sorted, stop managing your eyes and get back to the conversation. A real, engaged glance that meets the lens now and then beats a stiff, calculated stare every time. Presence comes from being genuinely with the other person, and the eye contact takes care of most of itself once the camera is at the right height and the important window sits near the lens.
Bloom watches your eyeline during a call and lets you know when your gaze has drifted off for too long, so you can meet the lens on the moments that matter without keeping score in your head.
The hard part of all this is noticing what you are doing while you are doing it, which is tough to catch on your own. We made an ambient app for exactly that. It runs on your Mac and gives you private feedback in the moment, and it never records or uploads anything.
Join the waitlistQuestions people ask
Should I look at the camera or the screen in an interview?
Look into the lens while you are speaking, particularly on your first answer and your strongest points, so the interviewer feels met. Look at their face on the screen while they talk, which lets you read them and shows you are listening closely.
How do I remember to look up at the camera?
Move the speaker's video window to the top of your screen, right under the lens, so your natural gaze already sits close to the camera. A small sticker or arrow near the lens also works as a reminder for the moments that matter, like your opening line.
Does where I look matter more on large monitors?
Yes, because the gap between the camera and the face on your screen is wider on a big monitor, so looking at the screen reads as looking further away. Keeping the active window near the top of the display, close to the lens, keeps that gap small.